Creative fiction writing skills workshop.
Would you recognize your characters if you ran into
them on the street?
Answering a resounding “yes” to this question
indicates you have been able to develop solid, plausible
characters.
Make your characters come alive, whether in good or bad
ways. Let them talk. This means using dialogue. However,
you need to also provide vivid descriptions of the
characters’ mannerisms or facial expressions or body
expressions. Your readers must be able to create a visual
picture of your characters, as well as hear what they are
saying.
Pay particular attention to how your characters
interact with other people in the story. How they behave
toward others reveals much about their character. Are they
kind? Abrupt? Intelligent? Funny? Weird? Concerned? Evil?
Strong? Controlling? You need to convey these traits to a
reader in a way that will inspire your reader to love,
hate, admire, or feel SOMETHING about the people you have
created.
"And she hates you."
"With a passion and what a passion."
"And what have you done to earn such ire from such
a young woman?" Tonie seemed mildly amused by the
man.
"I tried to force her to marry me. I shot one of
her oldest and dearest friends down in cold blood and
killed him." He didn’t even pause for breath as he
listed his catalog of worthy accomplishments. "I
betrayed my own brother. And I shot her lover in front of
her eyes. A pity Frederick William wouldn’t give up on
the man or he would have died. As it was it took him
months to recover. I guess you could say the woman has a
personal vendetta against me. Will there be anything else,
madame?" he concluded with a practiced politeness.
"Not at the moment." Tonie left the room,
Konrad on her heels. She stopped long enough to pull Greg
aside and give him instructions in regard to the pursuit
of one Laurel d’Anlass. "Ever try betraying me, and
I’ll kill the woman myself, Konrad."
"I would expect nothing less. But, my lady Tonie,
I highly recommend you do not seek to threaten me."
"Take it as a threat if you will, Konrad. But you
have shown your weakness, my dear." Tonie’s barbed
words struck with more force than even she realized.
"In that warped heart of yours you love Laurel and
could never kill her without dying yourself. So don’t
push me unless you want me to take all control out of your
hands and make you lose any possibility of ever possessing
that beautiful, young woman."
In the above scene from the coming book, Righting Time
by Kat Jaske, even though you have not read the book, you
can discern much about the characters. Note that Konrad is
speaking rapidly and doesn’t even pause for breath as he
rattles off his list of worthy accomplishments. He is
polite, but it is not real. He has a "practiced"
politeness. These behaviors help the reader to
instinctively dislike the man. Readers quickly realize
that Tonie is a killer since she is amused by evil deeds
and so easily states she will kill Laurel herself.
Who is in control here? Tonie or Konrad? Near the end
you see that Tonie controls this scene, but Konrad pushes
back when she threatens him. These two people are fighting
to establish who is really in control.
Note also the double use of the word
"passion." Although one would not normally use
the same word twice so close in the same sentence, this is
much more powerful and descriptive than saying, "With
a great passion."
Kat Jaske ©2006 All rights reserved
